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1.
Garden 03:45
GARDEN I was halfway out the woods And things were looking good A herd of goats and babies And a fence made out of wood And horticulture's not my thing But mercy me you had a pretty garden In a happy, stupid blur We weren't and then we were And weren't again - thank god - It was for the best, I'm sure And ne'er would we collide again But I made constant visits to your garden Now, frivolous is one word Another word is young Another word is virtuous Another word is dumb There's a difference between you and me But don't think I don't envy you your garden CHORUS So time was once the light was more than a pinhole that I sometimes see But time is lately I get moving As soon as it outpaces me So all I ever do is leave. Now, I'm not a fan of choosing I've always deeply felt That a choice can make you harden into something you can't melt But I'm already hardening Soon I'll be a statue in your garden But if I stay with you I'll petrify you, too I'll reduce you to a symbol Of the things I couldn't do And they'll arrange us holding hands Cause everyone misunderstands the garden Now righteousness is one word Another word is vice Another word is imbecile Another word is nice There are grounds on which we may relate But that all turns to quicksand in the garden CHORUS Now I know you've got your puppets And the poetry you produce And a pocketful of fireworks With a perilously short fuse And a man And a dog And a car And a tent But all the love I bear you will no longer me prevent From finding me a lighter And throwing back six beers And lighting up that fuse And covering my ears And make all of glenwood reverberate As bits of us now fertilize the gar ar ar den CHORUS
2.
Golem 04:21
GOLEM Those who know me well will tell you that I'm not too good with secrets And true enough with most I'm liberal to no end But there are certain things I'll never say The creature, after all, was made of clay and only things unspoken keep it sucking wind And true, it started clay, but as it walked it changed its composition I mean, the air alone contains a million different things - So I saw fit to split it into dozens Laughed at purity and all its cousins Beastie's now a little bit of everything And it's scattered in fistfuls to all the four winds and the current may guide it to certain old friends who still have a sliver of me in their memory And one might tangle in your hair and, darling, trust me - it ain't there to scare you Nonetheless - when it's there, I hope you scream. When it comes and come it must I hope it comes with bells and bones a-janglin' With mason jars of blood and feathers it arrive When it come I hope it come with eyes of ember Rictus-grinning, kind, remembers When it come and come it must, I hope it come alive O when it come and come it will I hope it come with ancient nets entangling The moon conduct it ever higher up the cave When it come it lift you from the floor in incraments of more and more and more And when it come and come it will I hope it come in waves And I hope when it come that it splashes round you in Luminous pools of holiest blue Hang on to yourself or surely you'll wash downstream When it come -it come, I know - I hope a second later it just go And when it go, I hope it go like steam Those who know me well will tell you that I'm not too good with secrets The sky cracks The ocean glows All jet black You couldn't know A coughing fit to rid my organs of a coat of purple glitter That throws light round my ribcage to this very day A taxing effort on this throat of mine cause something came up, but it didn't shine Instead - the red and living carolina clay. It never sleeps It doesn't even blink And it sure don't listen to me But if you want the creature not to stay then simply wave the silly thing away and watch as it dissolve just like a dream
3.
Noble Rot 02:48
NOBLE ROT What bends you at the knee? What fell into your lot? Through what holes in the sea? Through what chink in the plot? A daydream deferred Or altogether forgot Ah, gloried absurd All of barbary blurred Ah noblest rot The what is good, the when is awful CHORUS: Oh your blood approves Still your mind can't make things move The worst is true Something's making you real Something sticks you in time After how little feel? After how short a climb? Something's making you big But it casts a pall A predilection to swig And a marketing gig Who are you, after all? The mud is good, the wind dissolves you CHORUS Someone thinks that you're good Someone loves you a lot. Someone knocks you on wood In a way you forgot Some things still scream in you You hope they'll never know Because once those sound through There's not much you can do - There it goes So it goes. You grow old This, at least, you know.
4.
INTERLUDE ONE: MANIA Lord don't let this city make me mad In quiet, shuffling, neighbor-hating ways In the rags of desperation clad A trail of failures following for days With impotent anger rattling around Dragging my feet, running aground Canceling glances, thinking debris Thinking confetti, thinking decrees Mumbling north, mumbling right Mumbling nonsense, try though I might Features atwitch, features aflare Nothing to do with what's going on upstairs
5.
HANG BY A THREAD You hang by a thread Wound round your skin As light and as thin As the hair on your head It's dark all around And you hang in the wind Still you force a grin As you hang by a thread There's no one up ahead Not a soul left behind Did their ropes unwind? Did they climb up instead? You can't see the ground And the top's up too far So here you are With the last of the thread Ah, you recall the ceiling How it seemed so serene there The scenery sent you reeling - One million lightlines enlaced One in specific moved you - Shot off at an angle The others blinked their approval So you gave breathless chase Now you dangle by thread That you chased off the world It's fibers unfurl It fills you with dread So you choke it down And you think of the moon And hum a tune Ever lodged in your head. As you flew off the ceiling The thread in your fingers You found the change revealing No longer lit from above You thought your troubles ended Now see how they linger Look at you now: suspended By the one thing you love Confer with the thread Say I'm not letting go But what is the world That we cling to it so? Did we fall up or down? Once we were sure But not anymore You know what to do It's coming unwound But you aren't vexed Cos you want what comes next So you bid it adieu.
6.
Eat! 03:47
EAT! O you know what you want And it's red with your beefsteak And white with your oysters on ice And some grand marinier With your cafè au laìt And some fudge lava cake That'd be nice And god help the sucker Who forgets the sugar Or brings the wrong sauce for your meat You worked hard to get here The gods swoon at the sheer Raw artistry with which you eat And it'd better be right Cos you have it all timed And if it isn't right, what the hell are you up here for? And at the end of the night there's a wad of cash waiting Whose size depends solely on whim Still, I'm loath to complain, For whatever I gain's More than Jaime or Raj Just ask them. And it's real late at night Nothing open but bars And I could opt just to sleep Or to think But the former leaves a bad taste And the latter's a waste Small wonder all I do these days is drink And if the conditions are right I could stay all night And if I don't stay all night, what the hell am I up here for? I may never again be Assured of the goodness Innate to the whole human throng I may never get out Of this dread line of work And I'll sure never finish this song But if I yelp angrily from my chair by the window And fume And stomp both my feet Some poor soul who came up here to watch their dreams disappear Will bring exactly what I want to eat And it'd better be right And it'd better be on time Because if it isn't right, what the hell are we up here for?
7.
INTERLUDE 2: PIETY Lord don't let this city make me yours Or laid bare to your omnipresent charm Let not dread or desperation force Me helpless to your ever-grasping arms Smiling thinly, resting assured That my reward is safe in the word Yelling in trains or keeping it mum Either way knowing the world ain't the one Which in the best case sees my ascent To wherever all the pious folks went Then I look down - friends all aflare Burning for what? Somebody's law upstairs.
8.
Spark 03:16
SPARK I wiped the final bit of handiwork off on my jeans I had to think a bit about what the word sanguine means For here, in rich manhattan's attic, I'd call this financier phlegmatic But clearly I was wrong about it Cause look how he bleeds! And I come from neighborhoods blown open And shuttered quite tight And neighbors all fed up with coping and wading through spite But on the train home from park avenue (740 - you've heard of it, haven't you?) Having indulged my one bad habit I'll sleep well tonight If only tonight. Mister mayor, I do declare I've never seen you so turned out All pretty on a spit with a granny smith In your snout Everyone will want a bite of you Barbecued and cyanided If they all come, who you invited, We might save the south We might purge the south And I come from opulence and splendor And silver, it's true I lived without regret off the fat of dixie For a few It could've been anyone, I reckon - Who picks to whom dumb justice beckons? McCrory wasted his last seconds to ask who are you? I told him, too: CHORUS: I am a spark I light the dark I light up the fog on the roof It punctures the night As hot as it's bright As small and as hard as the truth I was never good enough at arguing to win a fight Never good enough at science to Rub out a blight But I guess that I'm okay at history- If I tilt my head it easily Seems the young white man's main legacy's killing, alright - and saying it's right. And when I first tried it, my senses were freed A steely, fluid cold Erupted and spread to my extremities A chill in the blood that could only be me It could only be mine It could only be me It could only be Only be me. CHORUS
9.
Come Low 05:03
COME LOW May your bad habits make you bold May the loves you know be manifold May you mystify, unmoor, confuse May you have and lose and have and lose May your sorrows send you far and wide May your blind persistence cleave the tide May your envy gild your walking shoes Light your pockets, bright your blues. CHORUS: May your smallness make the world more vast May death come late, come soft, come fast May you know desire's warmest glow May death come late, come sweet, come low. May your misadventures overlap Your anxiety a detailed map May your pacing grant you iron heels May your panic grant you rolling wheels May your old ghosts inflate your sails May their groaning be your nightengale May your anger be your marching tune Your lunacy the rising moon CHORUS You're afraid You're afraid cause you're alive You are saved You are saved cause you're alive CHORUS
10.
LOST YOU WELL I lost you well And I love losing things, so I can tell That in the context of the vast Volumes of my losses past, I lost you well It was done with class With sensitivity and with panache But - darling - don't take it from me Any critic, they'd agree I lost you well A feather thinks I'm not suited to supporting wings So it holds itself erect And its removal is correct However cold the comfort correct brings And while on the wind It may miss the warmth and miss it's friend And it may think itself a fool Think it brutal, think it cruel That it's best hope is to stay aloft On changing winds But - I lost you well And I love losing things, so I can tell That in the context of the vast Volumes of my losses past I lost you well So I can't cry about it But who wouldn't mourn? It was beautiful since it was born Who'd have know what clove the sky What heated breath twixt you and I Was actually a meteor? Whatever it was not, it was not a home Whatever it had not, it had not alone O! And reliably I feel it most when I'm off work at 3 Because I could creep back into our tower And no matter what the hour You'd roll over and talk to me. Still, I can't cry about it My well-lost dear I haven't been completely honest, here For while misplacement is my field For a time, you wouldn't yield That is, you'd turn up everywhere. And I've no excuse Except that you're sincerely hard to lose.

about

Recorded Spring/Summer 2014 @ On Pop of the World Studios in Greensboro, NC. Mixed and Mastered by Randy Seals.

credits

released August 29, 2014

Mike O'Malley: Vocals, Bouzouki, Piano, Drums, bass guitar.
Randy Seals: Drums
Jeremy Harris: Piano on "Golem," "Garden," and "Spark"
Charlie Humphrey: Trumpet on "Garden" and "Eat"

All songs by Mike O'Malley.

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